← Looting & Restitution
ART, LOSS & MEMORY · 1944–2019

The bouquet that spent 75 years away from Florence

A German soldier sent the Florentine still life home during the retreat. Decades later, an image marked ‘stolen’ occupied its place in the Pitti Palace.

ArtistJan van HuysumArtworkVase of FlowersPlaceFlorence, Italy / Halle, GermanyDocumented positionReturned to Palazzo Pitti in 2019
Vase of Flowers by Jan van Huysum, the still life returned to Florence in 2019
Vase of Flowers by Jan van Huysum, the still life returned to Florence in 2019 · Monuments Men and Women Foundation · artwork reproduction ↗

The still life entered the Pitti Palace collection in 1824. To protect it from wartime bombing, Italian officials packed it with other works and moved them out of Florence. By 1943 the picture was at Villa Bossi-Pucci in Montagnana. The Uffizi traces the crates north during the German retreat and says a German soldier sent the still life to his wife in Halle in July 1944.

The picture slipped from the public record until late 1989, when the family in possession approached the Bavarian State Picture Galleries about its authenticity and value. Italian investigators started examining the case in 1991. An intermediary approached the Uffizi for money in 2016, and the Florence prosecutor opened an investigation into attempted extortion.

In January 2019 the Uffizi director publicly appealed for the painting and displayed a black-and-white reproduction marked as stolen. After diplomatic talks, Germany handed the original over to Italy on 19 July in Palazzo Pitti. The painting’s return also resolved one of the losses from the wartime convoy documented by Allied art officers.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Uffizi Galleries · return and wartime history ↗
  2. Monuments Men and Women Foundation · history of the search ↗
  3. German Federal Foreign Office · handover ↗

An original ArtTraceX synthesis. Sources checked .