← Looting & Restitution
ART, LOSS & MEMORY · 1940–2023

The Madonna a Polish investigator spotted in Tokyo

An auction listing led investigators back to a picture numbered 145 in an inventory compiled by the German occupation authorities.

ArtistAttributed to Alessandro TurchiArtworkMadonna and ChildPlacePrzeworsk and Wrocław, Poland / Tokyo, JapanDocumented positionReturned to the Lubomirski Princes Museum in 2023
The recovered Madonna and Child displayed at the Polish Embassy in Tokyo during the 2023 handover
The recovered Madonna and Child displayed at the Polish Embassy in Tokyo during the 2023 handover · Polish Institute in Tokyo / Przemysław Śliwiński ↗

An 1823 inventory placed this Madonna and Child in the Lubomirski palace in Przeworsk and named the Polish collector Stanisław Kostka Potocki as a prior owner. During the occupation, German authorities seized the work and recorded it as entry 145 in an inventory of 521 objects. After it was taken to Germany, the trail went cold for decades.

A late-1990s sale in New York offered the work as a painting by Alessandro Turchi, an attribution that has not been confirmed. In January 2022 a Polish restitution official noticed a matching work at a Tokyo auction. Specialists examined it, and Poland submitted a claim documenting its identity and wartime history to Mainichi Auction.

The auction house and the possessor agreed to a return without payment. The painting was formally handed over at the Polish Embassy in Tokyo on 31 May 2023. In July it was delivered to the Lubomirski Princes Museum, part of the Ossolineum in Wrocław. Poland’s culture ministry described it as the country’s first wartime art loss recovered from Japan.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Polish Ministry of Culture and National Heritage · delivery to the museum ↗
  2. Polish Institute in Tokyo · handover and provenance ↗
  3. Notes from Poland · recovery from Japan ↗

An original ArtTraceX synthesis. Sources checked .