← Looting & Restitution
ART, LOSS & MEMORY · 1943–2022

The Ruysdael hidden behind the wrong catalogue image

A Dutch landscape from a Budapest bank vault was on view in Boston. The war-loss catalogue had pictured a different painting.

ArtistSalomon van RuysdaelArtworkView of Beverwijk (1646)PlaceBudapest, Hungary → Boston, United StatesDocumented positionRestituted to the Chorin heirs in 2022
Salomon van Ruysdael — View of Beverwijk (1646)
Salomon van Ruysdael · View of Beverwijk (1646) · Museum of Fine Arts, Boston via CODART ↗

In 1943 Ferenc Chorin put works from his collection into a vault at the Hungarian Commercial Bank of Pest. Among them was Ruysdael’s upright panel of the road to Beverwijk, which he had probably acquired from the estate of Frigyes Glück. After German forces occupied Hungary in 1944, the Jewish industrialist and his family fled. The bank later reported that Chorin’s vault had been emptied in January 1945 during the siege of Budapest.

The Museum of Fine Arts, Boston bought the painting from a London dealer in 1982 with only a reference to a Swiss collection. A 1988 publication about Hungarian wartime losses included Chorin’s missing Ruysdael with an incorrect image and description. The published entry and the panel in Boston were therefore difficult to connect. The painting’s path between the vault and its appearance on the art market remains incompletely documented.

Scholar Sándor Juhász alerted the museum in 2019 that the panel had belonged to Glück. The MFA posted the new ownership information online, where the Chorin heirs found it in 2021. The museum announced the return agreement in January 2022. By June, Christie’s listed the painting as already restituted before offering it in New York.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Museum of Fine Arts, Boston: Ferenc Chorin restitution ↗
  2. CODART: provenance and photograph ↗
  3. Christie’s: sale overview confirming prior restitution ↗

An original ArtTraceX synthesis. Sources checked .