← Looting & Restitution
ART, LOSS & MEMORY · 1940–2025

The Jordaens hidden above a cellar ceiling

A panel taken from a Belgian resistance fighter’s home turned up in southern France. His family’s postwar theft report helped bring it back.

ArtistJacques JordaensArtworkThe Return of the Holy Family from the Flight into EgyptPlaceWalem and Mechelen, Belgium / Ardèche, FranceDocumented positionReturned to the Scheppers de Bergstein family in February 2025
The restored Jordaens panel returned to the Scheppers de Bergstein heirs
The restored Jordaens panel returned to the Scheppers de Bergstein heirs · Belgian Federal Public Service Economy · photograph of the restored panel ↗

When Joseph Scheppers de Bergstein returned to Emmaus Castle at Walem in June 1940, German forces had removed the Jordaens panel and other valuables. He later used the property to support a resistance network. Arrested by the Gestapo in 1944, he died that year in the Ellrich camp. His son Gaëtan reported the painting stolen after the war.

In 2022, the panel was found above a false ceiling in the cellar of a house in southern France. Its previous possessor had told his nephew that he suspected it had been stolen. The nephew began tracing the work after his mother inherited the property. Belgian officials used the wartime loss database to connect the panel to the family’s original declaration.

The painting underwent conservation before the heirs received it at Kazerne Dossin in Mechelen on 5 February 2025. The Belgian Federal Public Service Economy described it as the first restitution achieved through its online looted-art database. The object was a particular version of Jordaens’s composition, distinct from the versions in Berlin and at the Rhode Island School of Design Museum.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Belgian Federal Public Service Economy · restitution and restoration ↗
  2. Belgian Looted Art Register · identification and handover ↗
  3. CODART · the recovered panel and other known versions ↗

An original ArtTraceX synthesis. Sources checked .