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ART, LOSS & MEMORY · 1875–1944

The last known address of The Sale of Amulets

Siemiradzki’s large canvas hung in a Warsaw salon before the uprising. The house survives and the painting remains untraced.

ArtistHenryk SiemiradzkiArtworkThe Sale of Amulets (1875)PlaceWarsaw, PolandDocumented positionProbably looted in 1944 · whereabouts unknown
Henryk Siemiradzki — The Sale of Amulets (1875)
Henryk Siemiradzki · The Sale of Amulets (1875) · Archival image · National Museum in Warsaw and Polish Ministry of Culture and National Heritage via Culture.pl ↗

A girl examines charms in The Sale of Amulets, a canvas that stands more than two metres high. Henryk Siemiradzki painted it in 1875 for Pavel Isieyev, a secretary at the Academy of Fine Arts in St Petersburg. By a 1919 exhibition in Warsaw the picture belonged to the banker and collector Leopold Kronenberg.

The canvas probably changed hands in the mid-1930s, when confectioner Mieczysław Broniewski acquired it. It hung at his home at 25 Mokotowska Street. The painting left that address briefly for the artist’s 1939 retrospective at the Society for the Encouragement of Fine Arts.

The wartime sequence remains partly conjectural. The loss catalogue suggests the painting was moved to the National Museum in Warsaw after war broke out and later went back to Mokotowska Street. It was probably looted with the contents of the house during or after the Warsaw Uprising. The catalogue gives no subsequent location.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Muzeum Utracone · commission, provenance and wartime loss ↗
  2. Culture.pl · archival image and wartime account ↗

An original ArtTraceX synthesis. Sources checked .