← Still Missing
ART, LOSS & MEMORY · 1942–1945

The Courbet hidden in a Budapest bank vault

Baron Ferenc Hatvany tried to protect his collection by depositing paintings under other names. The record of this seascape ends with the emptying of the vaults.

ArtistGustave CourbetArtworkThe Wave (1870)PlaceBudapest, HungaryDocumented positionMissing since 1945
Gustave Courbet — The Wave (1870)
Gustave Courbet · The Wave (1870) · Hatvany heirs or representatives, via the Monuments Men and Women Foundation ↗

Baron Ferenc Hatvany, a Hungarian Jewish painter and collector, owned several works by Gustave Courbet. As wartime danger increased, he dispersed part of his collection across banks in Budapest. The foundation identifies this particular Wave as a 70-by-102-centimetre canvas deposited at the Hungarian General Credit Bank in 1942 under the name János Horváth, deposit 13158.

Germany occupied Hungary in March 1944. Hatvany survived in hiding while SS officers took over his villa and the works left there were looted. After Soviet forces captured Budapest in 1945, the contents of the bank vaults were removed. The documentation does not establish who ultimately took possession of The Wave.

Hatvany recovered other works after the war, including Courbet’s L’Origine du monde. The continuing search concerns this specific seascape. Courbet painted several waves, making the dimensions, archival image and bank deposit important for distinguishing Hatvany’s canvas from paintings of the same subject.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Monuments Men and Women Foundation · Wartime loss dossier ↗
  2. UK Spoliation Advisory Panel · Another work from the Hatvany collection ↗

An original ArtTraceX synthesis. Sources checked .