Art restitution

Mona Lisa theft and return: a historical account

Paris, France / Florence, Italy · Source report date:

Leonardo da Vinci, Mona Lisa — historical reproduction, Library of Congress.
Leonardo da Vinci, Mona Lisa — historical reproduction, Library of Congress. Image source ↗
Notify me about this case

A Library of Congress historical account describes the theft of Leonardo da Vinci’s Mona Lisa from the Louvre in 1911, its recovery in Italy and return in 1913. The record date is the account’s publication on 22 August 2022, not the theft date. The Louvre independently corroborates the recovery.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Mona Lisa

Artwork title
Mona LisaMusée du Louvre — INV 779 ↗ · checked
Maker / attribution
Leonardo da VinciMusée du Louvre — INV 779 ↗ · checked
Object type
PaintingMusée du Louvre — INV 779 ↗ · checked
Creation date / period
1503–1519 (Louvre dating)Musée du Louvre — INV 779 ↗ · checked
Materials & technique
Oil on poplar panelMusée du Louvre — INV 779 ↗ · checked
Measurements
79.4 × 53.4 cm, without accessories (current Louvre record).Musée du Louvre — INV 779 ↗ · checked
Accession / inventory number
INV 779; MR 316Musée du Louvre — INV 779 ↗ · checked
Subject
Portrait of Lisa Gherardini, wife of Francesco del Giocondo.Musée du Louvre — INV 779 ↗ · checked
Distinguishing features
An 11 cm split descends from the panel’s upper edge.Musée du Louvre — INV 779 ↗ · checked

Not documented in this record: inscriptions & markings.

Documented ownership history

  1. 1518 (probable)

    Probably acquired by François I; the Louvre qualifies this transfer.

    Musée du Louvre — INV 779 ↗ · checked
  2. 1793

    Louvre acquisition from the former French royal collection.

    Musée du Louvre — INV 779 ↗ · checked

Only stages supported by the cited sources are shown. This list is not a complete chain of ownership.

Record sources

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Art restitution

Read the original source · blogs.loc.gov ↗

Rembrandt, Self-Portrait (1630), Nationalmuseum, Stockholm

ArtTraceX Weekly Brief

The week’s key developments in art theft, forgery, recovery, restitution and the courts. Every Monday.

Subscribe →