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ART, LOSS & MEMORY · 1940–2024

The two paintings a Paris dealer sold to escape

Renoir and Sisley entered the market as Grégoire Schusterman fled persecution. France later examined why the dealer had to sell them.

ArtistAuguste Renoir and Alfred SisleyArtworkCariatides (1909) and Les Péniches (1870)PlaceParis, Cagnes-sur-Mer and Dieppe, FranceDocumented positionBoth paintings returned to the heirs in May 2024
Auguste Renoir’s Cariatides (1909), one of the two works returned to the Schusterman heirs
Auguste Renoir’s Cariatides (1909), one of the two works returned to the Schusterman heirs · Musée d’Orsay, dist. GrandPalaisRmn / Sophie Crépy ↗

Grégoire Schusterman dealt in art on Avenue Kléber in Paris until his gallery was closed in 1940 under the Vichy regime’s antisemitic laws. He sold works to finance his flight and support himself during the occupation. Among them were Renoir’s Cariatides, with figures painted into fictive architectural niches, and Sisley’s Les Péniches, a river scene also known as Vue d’un port.

Both canvases were recovered from Germany after the war. The Renoir eventually went on deposit to the Renoir Museum at Cagnes-sur-Mer and the Sisley to the Château-Musée de Dieppe. The Musée d’Orsay says Schusterman tried to recover his works after the war. The authorities rejected restitution at the time because the paintings had been sold between French dealers before passing to German buyers.

One of the heirs renewed the claim in 2022. France’s restitution commission examined the conditions under which the dealer had sold and found in 2023 that the sales had been forced by persecution. The prime minister approved restitution on 11 April 2024. The museum returned both paintings to the heirs at a ceremony on 16 May.

Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Documentary sources

  1. Musée d’Orsay · provenance and 2024 handover ↗
  2. CIVS · finding of forced sales ↗

An original ArtTraceX synthesis. Sources checked .