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2000 Stockholm, Sweden → Copenhagen, Denmark

A speedboat, a hotel room and a very small Rembrandt

An armed robbery emptied three spaces in Stockholm. The return took years, several countries and an undercover operation.

Rembrandt, Self-Portrait (1630), Nationalmuseum, Stockholm; the copper painting recovered in 2005.
Rembrandt, Self-Portrait (1630), Nationalmuseum, Stockholm; the copper painting recovered in 2005. Nationalmuseum · reproduction published by CODART ↗

A small painting in a large robbery

The Rembrandt was tiny: a self-portrait on copper, signed and dated 1630, measuring only 15 by 12.2 centimetres. Its scale made the contrast with the crime striking. In December 2000, armed robbers took it and two Renoir paintings from Stockholm’s Nationalmuseum. According to Radio Sweden’s later account, the three robbers escaped in a boat waiting nearby. The museum had lost not one treasure but a group of works that would travel through separate, concealed routes. [1][2]

A lead from another continent

The returns did not happen together. One Renoir was recovered the following year. The other surfaced in Los Angeles in 2005; Radio Sweden reported that this discovery led investigators towards the Rembrandt in Copenhagen. The FBI subsequently identified the recovery as an early success of its Art Crime Team. That official retrospective confirms an undercover operation, rather than a fortunate identification by an auction-house visitor or an ordinary buyer. [3][4]

The hotel room

In September 2005 the self-portrait was seized in a Copenhagen hotel operation. Four men were arrested in connection with an alleged attempt to sell it. CODART reported the painting undamaged and still in its frame. Days later it was flown back to Stockholm and put on display. The timing mattered to the museum: an exhibition of Dutch Golden Age painting was about to open, and the missing self-portrait could take its place again. [1][2]

The last journey home

The group was finally reunited in February 2006, when Swedish police officers and a museum representative brought Renoir’s Young Parisian back from the FBI in the United States. Radio Sweden then reported convictions connected with the robbery. Those later proceedings should not be projected onto the initial hotel arrests: an arrest is an investigative step, not a verdict. The clearest ending belongs to the objects themselves. Three works had disappeared in one robbery; all three eventually returned. [3]

The documented outcome

Recovered and returned

The Rembrandt returned to Stockholm in September 2005. The final Renoir returned in February 2006. Recovery, return and criminal proceedings followed different timelines.

Sources checked 10 November 2026.
Artwork Details & DocumentationIdentification, ownership history and supporting records

Individual artwork identification details have not yet been documented in this record. Missing specifications are not inferred from the photograph or report headline.

Not documented in this record: object type · materials & technique · measurements · inscriptions & markings · distinguishing features · artwork title · maker / attribution · creation date / period · subject.

Identification details follow the Object ID categories where documented. Ownership history is recorded separately; this documentation is not an authentication or a certificate of ownership.

Sources & further reading

  1. CODART · Recovery and object identification ↗
  2. Radio Sweden · Rembrandt returned, 22 September 2005 ↗
  3. Radio Sweden · Final painting returned, 21 February 2006 ↗
  4. FBI · Art Crime Team retrospective, 2015 ↗

An original narrative synthesis of the sources above. Images depict the artworks; they are not reconstructions of the thefts.

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